Do Re MiC D E

Prelude To A Kiss

Ellington Duke4/4ballad

Chord Diagrams — Prelude To A Kiss in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Edim
EADGBExx12x3
5frEADGBEx41x23
7frEADGBEx1243x
10frEADGBE31x42x
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
D♯7♭9
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
9frEADGBE3241xx
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
D♯dim7
7frEADGBExx1324
EADGBExx1324
5frEADGBE11x234
10frEADGBE112x3x
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2

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Prelude To A Kiss in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to D (ascending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to E (descending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to C (descending whole step), C to B (descending half step), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: ABA

Chords: A♯9, D♯9, G♯7, C♯maj7, G9, C9, F7, A♯m7, D♯7, Edim, Fm7, A♯13, D♯7♭9, G♯maj7, Cm7, Dm7♭5, G7, Cmaj7, Am7, Em7, D♯dim7, Dm7, C7, Bm7, B7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#