Do Re MiC D E

People

Styne Jule4/4ballad

Chord Diagrams — People in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
D/B♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯mMaj7
6frEADGBE11x42x
EADGBE111132
4frEADGBE11x342
9frEADGBE111423
B7♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
E6
EADGBE11134
EADGBE2314
5frEADGBEx4231x
7frEADGBE3333x1
F♯/B
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
Am6
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
7frEADGBE111x32
E/A
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Gdim7
EADGBE31x42
EADGBE3x142
3frEADGBE111234
5frEADGBExx1324
D♯/F
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
A6
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
E7/E♭
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
A/D
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x
7frEADGBE11xx24
10frEADGBE2x341x
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
G9♯11
EADGBE111234
5frEADGBExx1234
9frEADGBE11x234
10frEADGBE111x23
D/F
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Bm7/F
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423

Explore More

People in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to D (descending whole step), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to F# (ascending whole step), F# to A (ascending minor third), A to E (descending perfect fourth), E to G (ascending minor third), G to D# (descending major third), D# to E (ascending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to G (descending half step), G to D (descending perfect fourth), D to B (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: ABAC

Chords: Amaj7, F♯m7, Bm7, E7, E7♭9, D/B♭, G♯m7, C♯7, F♯mMaj7, B7♯11, F♯m7♭5, B7, Emaj7, E6, F♯/B, Am6, E/A, Gdim7, D♯/F, Em7, A7, Dmaj7, Dm7, A6, A7♭9, E7/E♭, A/D, D♯m7♭5, G♯7, G9♯11, D/F, Bm7/F.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A