Do Re MiC D E

Our Delight

Dameron Tad4/4medium-swing

Chord Diagrams — Our Delight in A# (Guitar)

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Our Delight in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to B (descending half step), B to A# (descending half step), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to F (descending half step), F to B (ascending tritone), B to E (ascending perfect fourth), E to D# (descending half step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to C# (descending half step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to C by tritone.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: ABA

Chords: C7, B7, A♯maj7, G7, Cm7, F7, A♯6, F♯m7, Fm7, Bm7, E7, D♯maj7, D♯m7, G♯7, Dm7, C♯m7, F♯7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#