Do Re MiC D E

Onmo

Wheeler Kenny4/4medium-up-swing
%
Fmaj7♯11/G
%
%
Fmaj7♯11
D/G
B/A
Emaj7♯11
Amaj7♯11

Chord Diagrams — Onmo in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Fmaj7♯11/G
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
F♯7alt
EADGBExx4312
EADGBE11243x
4frEADGBExx1243
9frEADGBE11x234
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
D/G
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
D♯7alt
EADGBExx1243
4frEADGBEx4213
6frEADGBEx123x
10frEADGBE112x43
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
B/A
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Emaj7♯11
4frEADGBE11x423
EADGBE11234
7frEADGBE11x234
11frEADGBE111123
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
Amaj7♯11
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
F7alt
3frEADGBExx123
EADGBE1243x
8frEADGBEx1234x
12frEADGBE112x43

Explore More

Onmo in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to A (ascending major third), A to F# (descending minor third), F# to F (descending half step), F to D (descending minor third), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to E (ascending perfect fourth), E to C# (descending minor third), C# to A (descending major third), A to F (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 16 bars · Form: A

Chords: A♯maj7, Fmaj7♯11/G, Am, F♯7alt, Fmaj7♯11, D/G, D♯7alt, G♯m, B/A, Emaj7♯11, C♯m, Amaj7♯11, F7alt.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#