Once I Loved (O Amor Em Paz) in C

Antônio Carlos Jobim / Vinícius de Moraes / Ray Gilbert(1960)swing
Do Re MiC D E
A
B
A♯7♯5

Chord Diagrams — Once I Loved (O Amor Em Paz) in C (Guitar)

Display
FingerNoteDegree
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Edim
EADGBExx12x3
5frEADGBEx41x237frEADGBEx1243x10frEADGBE31x42x
F♯dim
EADGBE2x31x
4frEADGBExx12x37frEADGBEx41x239frEADGBEx1243x
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
Gm6
EADGBE2222x1
3frEADGBE1112345frEADGBE111x328frEADGBE11x324
F♯7♭5
EADGBE2x341x
4frEADGBExx12347frEADGBE11x2439frEADGBE11x23
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
Cm6
EADGBE11x324
3frEADGBEx13x247frEADGBE2222x18frEADGBE111234
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132

Once I Loved (O Amor Em Paz) in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to F# (ascending whole step), F# to G (ascending half step), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to F# (ascending major third), F# to C (ascending tritone), C to B (descending half step), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to C (descending perfect fourth), C to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 30 bars · Form: AB

Chords: Fm7, A♯7♯5, D♯Maj7, Edim, F♯dim, Gm7, D♯m7, G♯7, C♯Maj7, Dm7♭5, F♯9, CMaj7, B9, F7, A♯Maj7, D♯7, G♯Maj7, Am7♭5, G♯m6, Gm6, F♯7♭5, Fm7♭5, Cm6, C7.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C