Old Devil Moon in C

Burton Lane / Yip Harburg(1947)swing
Do Re MiC D E
A
C69
C69
C69
C69
FMaj9
F69
FmMaj7add9
D♯m11
G13
C♯69
C69
Am7/E
D13
Dm11
C69
C69
C69
C69
FMaj9
F69
FmMaj7add9
D♯m11
G13
C♯69
C69
C69
C69
C69
Fm11
Gm11
D♯13
C♯13
C69

Chord Diagrams — Old Devil Moon in C (Guitar)

Display
FingerNoteDegree
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
FMaj9
F69
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
FmMaj7add9
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C♯69
EADGBE11x432
EADGBE11x2348frEADGBE11123410frEADGBExx2134
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Am7/E
7frEADGBE11x423
EADGBEx21EADGBEx23145frEADGBE111113
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134

Old Devil Moon in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to G (ascending major third), G to C# (ascending tritone), C# to C (descending half step), C to A (descending minor third), A to A (ascending unison), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to F (ascending major third), F to G (ascending whole step), G to D# (descending major third), D# to E (ascending half step), E to C# (descending minor third), C# to D (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to C by whole step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 49 bars · Form: A

Chords: C69, Gm7, C7, FMaj9, F69, FmMaj7add9, A♯9, G♯7, D♯m11, G13, C♯69, C, AMaj7, Am7/E, A6, Am9, D13, Dm11, G9, C♯Maj7, Fm11, Gm11, D♯13, Em7, C♯13, Dm9.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C