No Regrets in A

Roy Ingraham / Harry Tobias(1936)swing
Do Re MiC D E
A
C♯7/G♯
Em13
E13
C♯7/F
C♯7/G♯
C♯m7♭5/G
G7/B

Chord Diagrams — No Regrets in A (Guitar)

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No Regrets in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C# (ascending major third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to C# (ascending major third), C# to G (ascending tritone), G to B (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: AMaj7, C♯7/G♯, C♯7, F♯m, F♯7, Bm7, Em13, E13, C♯7/F, F♯m7, B7, B9, E7, Bm7♭5, A, C♯m7♭5/G, G7/B, Bm.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A