Do Re MiC D E

Night Has A Thousand Eyes (Coltrane Changes), The

Jerry-Brainin4/4latin-swing
Amaj7/D
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E7sus4
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Amaj7/D
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E7sus4
Amaj7/D
E7sus4
A/D
E7sus4
Amaj7/D
%
E7sus4
%
Amaj7/D
%
E7sus4
Amaj7/D
E7sus4
A/D
E7sus4
E7sus4
%
Amaj7/D
%
E7sus4
%
Amaj7/D

Chord Diagrams — Night Has A Thousand Eyes (Coltrane Changes), The in A (Guitar)

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Night Has A Thousand Eyes (Coltrane Changes), The in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to A (ascending whole step), A to A (ascending unison), A to D (ascending perfect fourth), D to E (ascending whole step), E to C (descending major third), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-swing4/4 · 52 bars · Form: AB

Chords: Amaj7/D, E7sus4, E7, Em7, A7, Dmaj7, G7, A/D, Amaj7, Dm7, Emaj7, Cmaj7, Cm7, F7, A♯maj7, Bm7, F♯m7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A