Nearness in B

Bob Gillis()swing
Do Re MiC D E
A
Daug7
D7/C
EMaj7/B
F♯m7/B
G♯m7/B
AMaj7/B

Chord Diagrams — Nearness in B (Guitar)

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Nearness in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to A (descending half step), A to G (descending whole step), G to F (descending whole step), F to G# (ascending minor third), G# to G (descending half step), G to A (ascending whole step), A to C# (ascending major third), C# to D (ascending half step), D to D (ascending unison), D to E (ascending whole step), E to F# (ascending whole step), F# to G# (ascending whole step), G# to A (ascending half step), A to A# (ascending half step), A# to E (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A# by tritone.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: A♯m7, AMaj7, GMaj7, F7, G♯m7, Gm7, Am7, C♯m7, Daug7, D7/C, EMaj7/B, F♯m7/B, G♯m7/B, AMaj7/B, A♯m7♭5, Esus4.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B