Misty in A#

Misty in A#

Misty in A# — Erroll Garner's romantic ballad with chromatic inner voice movement and unexpected modulations. Bebop Major reveals the elegant passing chords; Lydian adds shimmer to the IV moments. Changes: A#Maj7 – Fm7 – A#7 – D#Maj7 – D#m7 – G#7 – Gm7 – Cm7 – F7 – Dm7 – G7 – A#6 – A#7b9 – Em7 – A7 – C7 – Dm7b5 – G7b9.

Misty in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to A# (ascending unison), A# to E (ascending tritone), E to A (ascending perfect fourth), A to C (ascending minor third), C to D (ascending whole step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.