Lush Life in C#

1936 - Billy Strayhorn(1933)swing
Do Re MiC D E
A

Chord Diagrams — Lush Life in C# (Guitar)

Display
FingerNoteDegree
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Daug7
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Fm6
EADGBE1x234
3frEADGBE11xx326frEADGBE11x3249frEADGBExx2314
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
Edim7
EADGBE123
EADGBExx13246frEADGBEx2314x11frEADGBE112x3x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
B7♭5
EADGBEx3142
EADGBEx1213x6frEADGBE2x341x9frEADGBExx1234
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A7♭5
EADGBEx1234
4frEADGBEx24137frEADGBExx123410frEADGBE11x243
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Aaug7
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

Lush Life in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to C# (descending half step), C# to B (descending whole step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to E (ascending half step), E to F# (ascending whole step), F# to G# (ascending whole step), G# to A (ascending half step), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to C (ascending perfect fourth), C to E (ascending major third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to A (descending half step), A to C (ascending minor third), C to D# (ascending minor third), D# to C# (descending whole step), C# to F (ascending major third), F to E (descending half step), E to G# (ascending major third), G# to D# (descending perfect fourth), D# to E (ascending half step), E to D (descending whole step), D to D (ascending unison), D to C (descending whole step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to A (descending whole step), A to D# (ascending tritone), D# to G (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to D by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 53 bars · Form: A

Chords: D7, C♯, B7, C♯Maj7, D♯m, EMaj7, F♯m, G♯m, A7, Daug7, C7♯9, Fm, Fm6, Gm7♭5, C7♭9, Edim7, D♯m7, G♯7, B7♭5, A♯7, A7♭5, C7, D♯7, C♯7, FMaj7, E7, G♯, D♯7♯9, Em, DMaj7, Dm, C, C♯m, F♯7, BMaj7, Aaug7, D♯Maj7, G7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#