Do Re MiC D E

Look Of Love, The

Bacharach Burt4/4bossa-nova
%
C♯7sus4
Amaj7/F
Bm7/F
Amaj7/F
Bm7/F
Amaj7/F
Bm7/F
%
D♯/F
D/F
C♯/F
A2/F
C6/F
Dmaj7/F
%
Amaj7/F
Am7/F
E7♭9sus4
%

Chord Diagrams — Look Of Love, The in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
F♯m6
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
F♯m♭6
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134
C♯7♭9
4frEADGBEx1234
EADGBE11x234
7frEADGBE3241x
9frEADGBExx1324
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Dm6
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Amaj7/F
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
Bm7/F
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
E6
7frEADGBE3333x1
EADGBE2314
EADGBE11134
5frEADGBEx4231x
D♯/F
8frEADGBE111xx4
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
D/F
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
C♯/F
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
A2/F
9frEADGBEx12
EADGBEx23
EADGBEx14
7frEADGBE111134
C6/F
8frEADGBE11x324
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
Dmaj7/F
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
Am7/F
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
E7♭9sus4
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx

Explore More

Look Of Love, The in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to A (ascending minor third), A to C# (ascending major third), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D (descending major third), D to D (ascending unison), D to E (ascending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to B (ascending whole step), B to E (ascending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to A (descending major third), A to C (ascending minor third), C to D (ascending whole step), D to A (descending perfect fourth), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 38 bars · Form: ABC

Chords: F♯m7, F♯m6, F♯m♭6, Amaj7, C♯7sus4, C♯7♭9, F♯7sus4, F♯7, Dmaj7, Dm6, Em7, A7, Amaj7/F, Bm7/F, E6, D♯/F, D/F, C♯/F, A2/F, C6/F, Dmaj7/F, Am7/F, E7♭9sus4.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A