Do Re MiC D E

Lone Jack (Page 2 - Solos)

Metheny Pat4/4samba

Chord Diagrams — Lone Jack (Page 2 - Solos) in A# (Guitar)

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Lone Jack (Page 2 - Solos) in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F# (descending major third), F# to F (descending half step), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to F (ascending whole step), F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to C# (ascending half step), C# to C# (ascending unison), C# to D# (ascending whole step), D# to D# (ascending unison), D# to F (ascending whole step), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 64 bars · Form: AB

Chords: A♯m7, F♯maj7, F7♯9, G♯, D♯m7, F7♭9, Gm7♭5, C7sus4, C7, C♯7sus4, C♯7, D♯7sus4, D♯7, F7sus4, F7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#