Like Someone In Love in C

Johnny Burke, Jimmy Van Heusen(1944)balladModerately
Do Re MiC D E
A
B
A
B
'
C6/a
D7/F♯
G7/f
G9♯5
C9♯5
C6/a
D7/F♯
G7/f
G9♯5
C9♯5

Chord Diagrams — Like Someone In Love in C (Guitar)

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Like Someone In Love in C

Like Someone in Love in C: Van Heusen's accessible ballad rewards clean Bebop Major vocabulary and gentle Dorian color on the minor ii chords. Mixolydian smooths the dominant passages — an ideal standard for building bebop fluency. Chords: CMaj7 – C6/a – D7/F# – G7/f – Em7 – D#7 – Dm7 – G7 – G9#5 – Gm7 – C9 – C9#5 – F6 – Faug – Bm7 – E7 – AMaj7 – A6 – Am7 – D7 – G7#5.

Like Someone In Love in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to D (ascending whole step), D to G (ascending perfect fourth), G to E (descending minor third), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: ABAB'

Chords: CMaj7, C6/a, D7/F♯, G7/f, Em7, D♯7, Dm7, G7, G9♯5, Gm7, C9, C9♯5, F6, Faug, Bm7, E7, AMaj7, A6, Am7, D7, G7♯5.

Scales for Improvisation C major, C dorian, C mixolydian, C bebop major, C major pentatonic.

Diatonic chords: See all chords in the key of C