Do Re MiC D E

Let's Call the Whole Thing Off

George Gershwin / Ira Gershwin(1937)2/2swing

Chord Diagrams — Let's Call the Whole Thing Off in G# (Guitar)

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Let's Call the Whole Thing Off in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F (ascending major third), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to C (descending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to G# (ascending minor third), G# to D# (descending perfect fourth), D# to F (ascending whole step), F to C (descending perfect fourth), C to D# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to F by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 34 bars · Form: A

Chords: Fm9, G♯6, D♯7♭9, A♯m7, G♯7/F, C♯m6/E♭, C♯6/E, Fm7, G♯6/D, D♯7, A♯7, D♯9sus4, Dm7♭5, Cm7, G7♭9, F7♭9, G♯9, D♯9, F7/F, C7♯5, D♯13.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#