Do Re MiC D E

Ko Ko

Parker Charlie4/4up-tempo-swing

Chord Diagrams — Ko Ko in A# (Guitar)

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Ko Ko in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to C (ascending unison), C to G (descending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 48 bars · Form: AB

Chords: A♯6, Fm7, A♯7, D♯maj7, G♯7, C7, Cm7, G7♭9, F7♯5, F7, C♯m7, F♯7, Bmaj7, Bm7, E7, Amaj7, Am7, D7, Gmaj7, Gm7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#