Do Re MiC D E

Just You, Just Me

Jesse Greer / Raymond Klages(1929)4/4swing

Chord Diagrams — Just You, Just Me in A# (Guitar)

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Just You, Just Me in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to G (descending minor third), G to D# (descending major third), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to G (descending minor third), G to F# (descending half step), F# to C (ascending tritone), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: Fm6, A♯, G7, D♯m6, Cm7, F7, A♯7, A♯Maj7, D♯, A♯dim, A♯9, Gm, F♯dim, C9, F7♭9, F9, C7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#