Do Re MiC D E

Joshua

Feldman Victor4/4up-tempo-swing
A♯m11
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A♯m11
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A♯m11
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F♯7♯9♯5
E7♯9♯5
D♯7♯9♯5
C7♯9♯5
F7♭9♯5
F♯7♯9♯5
E7♯9♯5
D♯7♯9♯5
C7♯9♯5
F7♭9♯5
A♯m11
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Chord Diagrams — Joshua in A# (Guitar)

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Joshua in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to G# (descending whole step), G# to F# (descending whole step), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to C (descending minor third), C to F (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 52 bars · Form: ABA

Chords: A♯m11, A♯m7, G♯m7, F♯m7, D♯m7, G♯7, C♯maj7, C♯m7, F♯7♯9♯5, Bmaj7, Bm7, E7♯9♯5, Amaj7, D♯7♯9♯5, C7♯9♯5, F7♭9♯5.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#