Do Re MiC D E

James

Metheny Pat4/4bossa-nova

Chord Diagrams — James in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
A/D♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F/D
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
G/C♯
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
A♯6
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
A♯dim7
6frEADGBE111234
EADGBEx123
EADGBExx1324
8frEADGBExx1324
F/B
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Fm/B♭
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
C/A
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D♯maj7/A
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Fadd9
3frEADGBExx143
EADGBExx3214
5frEADGBE11x324
7frEADGBEx2134
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Bm7♭5
7frEADGBE111234
EADGBEx1324x
6frEADGBE2x341x
9frEADGBE222xx1
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
F/A
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
C
8frEADGBE111342
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
E7/A♯
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
Am
7frEADGBEx1342
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
B/F
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Em
7frEADGBE111342
EADGBE23
2frEADGBE11342
9frEADGBE4312xx
D/G♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
G/G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
C/F♯
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Fmaj
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
C7/A
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132

Explore More

James in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to A (descending major third), A to F (descending major third), F to G (ascending whole step), G to A# (ascending minor third), A# to A# (ascending unison), A# to F (descending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to D# (ascending minor third), D# to F (ascending whole step), F to F (ascending unison), F to G (ascending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to E (descending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to F (ascending half step), F to C (descending perfect fourth), C to E (ascending major third), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to C (descending whole step), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C# by half step.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 56 bars · Form: ABA

Chords: C♯6, A/D♯, F/D, G/C♯, A♯6, A♯dim7, F/B, Fm/B♭, C/A, D♯maj7/A, Fadd9, F, G, Cmaj7, Fmaj7, Am7, Em7, Bm7♭5, E7, F/A, C, E7/A♯, Am, B/F, Em, D/G♯, G/G, C/F♯, Dm7, C7, F7, Fmaj, C7/A.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C