Do Re MiC D E

Is That So?

Pearson Duke4/4medium-up-swing

Chord Diagrams — Is That So? in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
E7♯5
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
D7♭9
5frEADGBE11x24
2frEADGBExx431
4frEADGBE11x234
8frEADGBE3241xx
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
G7♯5
5frEADGBExx1423
EADGBE4312
EADGBE1x234x
10frEADGBE11x432
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
Am9
8frEADGBE132
EADGBEx2413
5frEADGBE111134
10frEADGBEx21344
A♯maj7
8frEADGBE11333x
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
D7♯5
10frEADGBE1x234x
EADGBExx412
4frEADGBEx213x4
5frEADGBE11x432
C♯13
9frEADGBE111234
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
C7♭9
9frEADGBExx3142
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
Bmaj7
9frEADGBE11333x
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
Fm7
9frEADGBExx2314
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
A♯7
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
D♯maj7♯11
6frEADGBE11x234
EADGBEx314x
3frEADGBE11x423
10frEADGBE111123

Explore More

Is That So? in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to C# (descending whole step), C# to A (descending major third), A to B (ascending whole step), B to G (descending major third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to G (ascending tritone), G to C (ascending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to C# (descending minor third), C# to B (descending whole step), B to A (descending whole step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to F# (descending whole step), F# to D (descending major third), D to D# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 32 bars · Form: A

Chords: D♯m7, C♯m9, Amaj7, Bm9, Gmaj7, Cmaj7, Fmaj7, E7♯5, D♯13, D7♭9, C♯maj7, Gm7, C7, A♯m7, D♯7, G♯maj7, G7♯5, F♯13, F7♭9, Emaj7, C♯m7, Bm7, Am9, A♯maj7, D♯maj7, D7♯5, C♯13, C7♭9, Bmaj7, Fm7, A♯7, F♯m7, B7, G♯m9, F♯m9, Dmaj7, D♯maj7♯11.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#