I'll Be Seeing You in A

Sammy Fain / Irving Kahal(1938)swing
Do Re MiC D E
A
A/C♯
E7♯5
E9♯5

Chord Diagrams — I'll Be Seeing You in A (Guitar)

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I'll Be Seeing You in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C# (ascending major third), C# to B (descending whole step), B to F# (descending perfect fourth), F# to E (descending whole step), E to A (ascending perfect fourth), A to B (ascending whole step), B to C (ascending half step), C to A (descending minor third), A to F# (descending minor third), F# to E (descending whole step), E to E (ascending unison), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to D (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: A, C♯7, Bm, F♯7, E7, A6, Bm7, Cdim, A/C♯, F♯m7, E7♯5, E9♯5, C♯m7♭5, G♯m7♭5, B9, Dm6.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A