How to practice I Remember Clifford with play-along tracks?

Use the play-along backing track above to practice I Remember Clifford in the key of D#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over I Remember Clifford?

For soloing over I Remember Clifford, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed I Remember Clifford?

I Remember Clifford was composed by Golson Benny. It is a ballad standard in 4/4 time. The original key is Eb; this page shows it transposed to D#.

What key is I Remember Clifford in?

The original key of I Remember Clifford is Eb. The form is ABA with 38 bars. This page shows the chart transposed to D#.

What scales work for improvising over I Remember Clifford?

Recommended scales for I Remember Clifford in D#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Do Re MiC D E

I Remember Clifford

Golson Benny4/4ballad

BPM: 120

Chord Diagrams — I Remember Clifford in D# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

Starting fret

Open123456789101112

G7♭9/B

Cm7/B♭

Gm7/F

A♯7♯5

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I Remember Clifford in D#

Benny Golson's tribute to Clifford Brown is a deeply expressive ballad that invites Bebop Major lyricism on the tonic, Dorian warmth on the minor ii chords, and Altered scale tension on the dominant chords that resolve to emotional release. The elegy-like quality demands a singing tone and long, arching melodic phrases that honor the spirit of Brown's trumpet sound. One of the most emotionally demanding ballads in the jazz canon.

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to G (descending minor third), G to G (ascending unison), G to C (ascending perfect fourth), C to A# (descending whole step), A# to G# (descending whole step), G# to F# (descending whole step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G (ascending major third), G to A (ascending whole step), A to B (ascending whole step), B to C (ascending half step), C to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to E (descending minor third), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to D (ascending major third), D to C (descending whole step), C to D# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: ABA

Chords: G♯maj7, A♯7♭9, G7♭9, G7♭9/B, Cm7, A♯m7, G♯m7, F♯m7, Fm7, A♯7, D♯maj7, G7, Adim7, Bdim7, Cm7/B♭, Am7♭5, D7♭9, Gm7, Gm7/F, Em7♭5, A7♭9, Gm7♭5, C7♭9, A♯7♯5, A♯7alt, Dm7♭5, C7, D♯6.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#

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