Do Re MiC D E

I'm Getting Sentimental Over You

Bassman George4/4medium-swing

Chord Diagrams — I'm Getting Sentimental Over You in A# (Guitar)

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I'm Getting Sentimental Over You in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth), C to D (ascending whole step), D to B (descending minor third), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to F (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 36 bars · Form: ABA

Chords: A♯maj7, Em7♭5, A7♭9, Dm7♭5, G7♭9, C7, F7, A♯6, G7, Cm7, Dm7, Bm7♭5, E7, Em7, A7, F7♭13.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#