Do Re MiC D E

I'm All Smiles

Leonard-Martin4/4waltz

Chord Diagrams — I'm All Smiles in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯7♯9
5frEADGBEx2134x
EADGBExx234
8frEADGBE111x23
10frEADGBE2134xx
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
D7♯9
7frEADGBE111x23
4frEADGBEx2134x
7frEADGBE412
10frEADGBE111324
C6/C
7frEADGBE2x143x
EADGBEx4231
3frEADGBE3333x1
8frEADGBE11x324
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭5
4frEADGBE11x23x
EADGBEx431
8frEADGBE2x341x
12frEADGBExx1234
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
G/G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
F7/G♯
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯7/G
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x

Explore More

I'm All Smiles in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to C (descending whole step), C to C# (ascending half step), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to F (descending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G (ascending major third), G to A (ascending whole step), A to F# (descending minor third), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to G (descending half step), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to G# (ascending half step), G# to F (descending minor third), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 78 bars · Form: ABC

Chords: D♯7♯9, G♯m7, D7♯9, C6/C, C♯6, A♯m7, D♯7, Cm7, F7, Dm7, G7, Cmaj7, Am7, Fm7, A♯7, D♯maj7, Gmaj7, A7, F♯m7, B7, G♯m7♭5, C♯7♭5, F♯maj7, Bmaj7, G♯maj7, Gm7, C7, G/G, G♯7, F7/G♯, A♯7/G.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#