Do Re MiC D E

I'll Be Seeing You

Fain Sammy4/4medium-swing

Chord Diagrams — I'll Be Seeing You in A# (Guitar)

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I'll Be Seeing You in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D (ascending major third), D to C (descending whole step), C to G (descending perfect fourth), G to F (descending whole step), F to A (ascending major third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step), F to D (descending minor third), D to F (ascending minor third), F to G (ascending whole step), G to D# (descending major third), D# to C (descending minor third), C to D# (ascending minor third), D# to F (ascending whole step), F to A# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: AB

Chords: A♯maj7, D7♭13, Cm7, G7♭13, F7, Am7♭5, D7♭9, Gm7, F7♯5, Dm7♭5, Fm7, G7♭9, D♯maj7, C7, D♯m6, F7♭9, A♯6.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#