Do Re MiC D E

I Have Dreamed

Rodgers-Hammerstein4/4medium-swing

Chord Diagrams — I Have Dreamed in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A6
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
Bm7/F
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
Bm7/C
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E9
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
C♯m7/G
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
D♯m7/A
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
Bm6
EADGBE2314
EADGBExx2314
6frEADGBE2x134x
7frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
A6/C
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Cdim7
7frEADGBE112x3x
EADGBExx1324
EADGBE11x234
10frEADGBE11xx34

Explore More

I Have Dreamed in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to A (descending whole step), A to B (ascending whole step), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to C# (ascending whole step), C# to B (descending whole step), B to B (ascending unison), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to C# (descending whole step), C# to B (descending whole step), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to A (descending major third), A to D (ascending perfect fourth), D to C# (descending half step), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 36 bars · Form: ABCD

Chords: A6, Bm7/F, A, Bm7/C, E9, B6, C♯m7/G, B, Bm7, E7, F♯m7, B7, E, D♯m7, G♯7, C♯6, D♯m7/A, C♯, Bm6, G♯m7, C♯7, A6/C, D, C♯m7, Cdim7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A