Do Re MiC D E

I Guess I'll Have To Change My Plan

Schwartz Arthur4/4ballad

Chord Diagrams — I Guess I'll Have To Change My Plan in A# (Guitar)

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I Guess I'll Have To Change My Plan in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to G (ascending whole step), G to C (ascending perfect fourth), C to D (ascending whole step), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 20 bars · Form: ABC

Chords: A♯maj7, F7, Gm7, Cm7, Dm7, C13, Fm7, A♯7, D♯maj7, D♯6, D♯m6, C♯dim7, G♯7, G7, C7, A♯6.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#