Do Re MiC D E

I Get Along Without You Very Well

Hoagy Carmichael / Jane Brown Thompson(1939)4/4ballad

Chord Diagrams — I Get Along Without You Very Well in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
A6
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
AMaj7
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
Cdim7
7frEADGBE112x3x
EADGBExx1324
EADGBE11x234
10frEADGBE11xx34
AMaj7/D
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
A♯dim
8frEADGBExx12x3
EADGBEx1243x
4frEADGBE31x42x
11frEADGBEx41x23
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Bm7♭5/F
6frEADGBE2x341x
EADGBEx1324x
7frEADGBE111234
9frEADGBE222xx1
E9sus4
E - A - B - D - F♯
E7♭9/E♭
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
D6
5frEADGBE3333x1
EADGBExx23
3frEADGBEx4231x
7frEADGBE111134
Dm6
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
G♯dim7/E♭
6frEADGBExx1324
EADGBExx12
EADGBE112x34
10frEADGBE111234
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
D7♯11
4frEADGBE11x234
EADGBExx123
7frEADGBEx3142
9frEADGBE111234
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
F♯m7/C
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A/D
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
F7/D♭
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2

Explore More

I Get Along Without You Very Well in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to A (ascending minor third), A to E (descending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to A (descending whole step), A to C (ascending minor third), C to A (descending minor third), A to A# (ascending half step), A# to E (ascending tritone), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to C# (descending minor third), C# to A (descending major third), A to D (ascending perfect fourth), D to D (ascending unison), D to G# (ascending tritone), G# to A (ascending half step), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to A (descending whole step), A to F (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F# by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 52 bars · Form: AB

Chords: F♯m7, A6, E7, E7sus4, Bm7, AMaj7, Cdim7, AMaj7/D, A♯dim, E7♭9, Bm7♭5/F, E9sus4, E7♭9/E♭, C♯m7, A13, D6, Dm6, G♯dim7/E♭, A, A7, D7, D7♯11, C♯7, F♯m, F♯m7/C, B7, A/D, F7/D♭.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A