Do Re MiC D E

I Get Along Without You

Carmichael Hoagy4/4ballad

Chord Diagrams — I Get Along Without You in B (Guitar)

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I Get Along Without You in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to D# (descending half step), D# to D (descending half step), D to C (descending whole step), C to G# (descending major third), G# to C (ascending major third), C to E (ascending major third), E to E (ascending unison), E to D# (descending half step), D# to A (ascending tritone), A to C# (ascending major third), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 63 bars · Form: ABA

Chords: Bmaj7, G♯m7, C♯m7, F♯7, Emaj7, D♯m7, Ddim7, C7♯5, G♯7♭13, Cdim7, E6, E/D, D♯7, A7, C♯7, B6.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B