Do Re MiC D E

I Didn't Know About You

Duke Ellington / Bob Russell(1944)2/2ballad

Chord Diagrams — I Didn't Know About You in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
Bm9
3frEADGBE222x14
EADGBEx1234
7frEADGBE111134
10frEADGBE112234
A6
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
AMaj9
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
B7♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G9♯11
5frEADGBExx1234
EADGBE111234
9frEADGBE11x234
10frEADGBE111x23
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
A/A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Cdim
6frEADGBE31x42x
EADGBEx41x23
3frEADGBEx1243x
10frEADGBExx12x3
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
A13♭9
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
A9♯5
5frEADGBEx1234
EADGBEx2413
3frEADGBE3214
11frEADGBEx2134
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
D6
5frEADGBE3333x1
EADGBExx23
3frEADGBEx4231x
7frEADGBE111134
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
Dm9
3frEADGBEx21344
EADGBE132
5frEADGBEx1423
10frEADGBE111134
C69
3frEADGBEx134
EADGBE11x334
7frEADGBE111234
9frEADGBEx22134
E7♭9♯5
E - G♯ - C - D - F
B7♯5
2frEADGBEx213
EADGBEx2134
7frEADGBE1x234x
9frEADGBExx1423
B9
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
E13♭9
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243

Explore More

I Didn't Know About You in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to C# (ascending major third), C# to D (ascending half step), D to F# (ascending major third), F# to G (ascending half step), G to B (ascending major third), B to B (ascending unison), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to C# (ascending whole step), C# to G (ascending tritone), G to E (descending minor third), E to A (ascending perfect fourth), A to C (ascending minor third), C to A (descending minor third), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step), C to E (ascending major third), E to B (descending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 27 bars · Form: AB

Chords: E7♭9, Bm9, A6, AMaj9, C♯7, D7, F♯7♭9, G9, B7, B7♯11, E13, Bm7, C♯m7, G9♯11, E7sus4, A/A, Cdim, A13, Em9, A13♭9, A9♯5, DMaj7, D6, G7, Dm7, G13, Dm9, C69, E7♭9♯5, B7♯5, B9, E13♭9, A.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A