I Concentrate on You in E

I Concentrate on You in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to B (ascending whole step), B to C# (ascending whole step), C# to B (descending whole step), B to G (descending major third), G to F# (descending half step), F# to Cb (ascending tritone), Cb to Cb (ascending unison), Cb to B (descending half step), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to D (descending major third), D to G (ascending perfect fourth), G to Cb (ascending perfect fourth), Cb to D (ascending whole step), D to A (descending perfect fourth), A to G (descending whole step), G to F# (descending half step), F# to Cb (ascending tritone), Cb to E (ascending major third), E to F# (ascending whole step), F# to A (ascending minor third), A to E (descending perfect fourth), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to Cb (descending whole step), Cb to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to A# (ascending whole step), A# to B (ascending half step), B to G# (descending minor third), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.