I Can't Get Started in Re#

I Can't Get Started in Re#

Vernon Duke's elegant ballad rewards soloists with command of Bebop Major line construction and Dorian, Mixolydian modal color layered over the D# tonality. The sophisticated chord sequence offers rich reharmonization possibilities for advanced players. Work through the D#Maj7 – Cm7 – Fm7 – A#7 – Gm7 – C7 – F#dim7 – G#m6 changes to develop polished ballad phrasing and harmonic refinement.

I Can't Get Started in Re#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to G# (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.