How Insensitive in Mi

Antonio Carlos Jobim(1963)bossaBossa Nova
A
B

Chord Diagrams — How Insensitive in Mi (Guitar)

How Insensitive in Mi

How Insensitive in E: Jobim's bossa nova elegy descends chromatically through Melodic Minor and Harmonic Minor territory. Phrygian-flavored dominant chords give the harmony its Brazilian melancholy — keep lines close to the melody. Chords: Gm – F#dim7 – FMaj7 – Fm6 – C7/B – D#6 – Am7b5 – D7b9 – Gm7/C – Em7b5 – D#7.

How Insensitive in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F# (descending half step), F# to F (descending half step), F to F (ascending unison), F to C (descending perfect fourth), C to D# (ascending minor third), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to E (descending minor third), E to D# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 22 bars · Form: AB

Chords: Solm, Fa♯dim7, FaMaj7, Fam6, Do7/B, Re♯6, Lam7♭5, Re7♭9, Solm7/C, Mim7♭5, Re♯7.

Scales for Improvisation Mi dorian, Mi melodic minor, Mi phrygian, Mi harmonic minor, Mi minor pentatonic, Mi bebop minor, Mi bebop.