Groovin' High in A#

Dizzy Gillespie(1945)swing
Do Re MiC D E
A
A9/E
G9/D
F9/C
A9/E
G9/D
Cm7/D♯

Chord Diagrams — Groovin' High in A# (Guitar)

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Groovin' High in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A (descending half step), A to A (ascending unison), A to A (ascending unison), A to G (descending whole step), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to D (descending minor third), D to C# (descending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: A♯6, A9, A9/E, A7, G9, G9/D, G7, C7, F9, F9/C, F7, Dm7, C♯m7, Cm7, F7♯11, Cm, Cm7/D♯, Cm7♭5, A♯.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#