Groovin' High in La#

Dizzy Gillespie(1945)swingUp Tempo

Groovin' High in La#

Groovin' High in A#: Dizzy Gillespie's bebop reharmonization of Whispering races through ii-V sequences in multiple keys. Bebop scales drive the fast-moving changes — Lydian and Mixolydian color the brief tonal centers in the bridge. Chords: A#Maj7 – Em7 – A7 – Dm7 – G7 – Cm7 – F7.

Groovin' High in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: La♯Maj7, Mim7, La7, Rem7, Sol7, Dom7, Fa7.

Scales for Improvisation La# bebop, La# lydian, La# mixolydian, La# bebop major, La# major pentatonic.