Do Re MiC D E

God Bless The Child

Herzog-Holiday4/4ballad

Chord Diagrams — God Bless The Child in B (Guitar)

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God Bless The Child in B

God Bless the Child in B: Billie Holiday's blues-drenched standard blends Mixolydian and Blues vocabulary over its jazz-inflected harmony. Bebop Major lines suit the major tonic chords — the emotional delivery matters as much as the scale choices. Chords: Bmaj – B7 – E6 – F#m7 – Emaj7 – Em6 – D#m7 – G#7b9 – C#m7 – F#7 – B6 – A#m7b5 – D#7b9 – G#m – G#mMaj7 – G#m7 – G#m6 – G#7.

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to E (ascending unison), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 38 bars · Form: ABA

Chords: Bmaj, B7, E6, F♯m7, Emaj7, Em6, D♯m7, G♯7♭9, C♯m7, F♯7, B6, A♯m7♭5, D♯7♭9, G♯m, G♯mMaj7, G♯m7, G♯m6, G♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B