Do Re MiC D E

Georgia On My Mind

Carmichael Hoagy4/4slow-swing

Chord Diagrams — Georgia On My Mind in A# (Guitar)

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Georgia On My Mind in A#

Hoagy Carmichael's timeless standard blends Mixolydian dominant phrasing and Blues scale expression with Bebop Major lines, creating the blues-jazz fusion that Ray Charles made iconic. The emotional directness of the melody sets a high standard for improvisers — blues feeling must coexist with harmonic sophistication. A tune that demands both technical command and raw emotional authenticity.

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to D# (ascending minor third), D# to C (descending minor third), C to E (ascending major third), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

slow-swing4/4 · 32 bars · Form: ABA

Chords: A♯maj7, Am7♭5, D7♭9, Gm, Gm/C, C/B, D♯m7, G♯7, Dm7, G7, Cm7, F7, F7♯5, A♯6, Cm6, D♯7, C7/B, Em7♭5, A7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#