Do Re MiC D E

Gentle Wind And Falling Tear

Burton Gary4/4ballad

Chord Diagrams — Gentle Wind And Falling Tear in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
F7♯9
7frEADGBEx2134x
EADGBE111324
EADGBExx2134
10frEADGBE111x23
E13
7frEADGBE111134
EADGBE213
EADGBE123
5frEADGBE1342
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
Am7♭5
7frEADGBE222xx1
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Bmaj7♯11
6frEADGBE111123
EADGBE11x234
7frEADGBE111234
11frEADGBE11x423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
C♯maj7
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
B6
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
F♯maj7
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
E7♯11
11frEADGBE111234
EADGBE12
3frEADGBE3142
6frEADGBE11x234
G♯7
11frEADGBE111134
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
C♯m7
11frEADGBExx1423
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
F♯7
9frEADGBE111134
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
G♯m6
9frEADGBE11x324
EADGBE2x134x
4frEADGBE111234
6frEADGBE111x32
C♯7
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
Gmaj7♯11
7frEADGBE11x423
EADGBE111133
3frEADGBE111234
10frEADGBE11x234
A♯maj7♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1

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Gentle Wind And Falling Tear in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to E (descending half step), E to G (ascending minor third), G to A# (ascending minor third), A# to G# (descending whole step), G# to A (ascending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F (descending whole step), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to C (descending half step), C to B (descending half step), B to D# (ascending major third), D# to C# (descending whole step), C# to B (descending whole step), B to B (ascending unison), B to G# (descending minor third), G# to F (descending minor third), F to F# (ascending half step), F# to E (descending whole step), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to G (descending minor third), G to A# (ascending minor third), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: A

Chords: A♯m7, F7♯9, E13, Gmaj7, A♯maj7, G♯maj7, Am7♭5, D7, Gm7, F7, A♯13, C♯6, C7, Bmaj7♯11, D♯m7, C♯maj7, Bmaj7, B6, G♯m7, Fm7, F♯maj7, E7♯11, G♯7, C♯m7, F♯7, Cm7♭5, G♯m6, C♯7, Fm7♭5, A♯7♭9, Gmaj7♯11, A♯maj7♯11, Amaj7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#