Do Re MiC D E

First Song

Haden Charlie4/4ballad
G♯/A♭
D♯m7/C
A♯m7/B♭
D♯/A
G♯/A♭
G♯7/F
F7sus4
G♯/A♭
C♯/B♭
D♯/A
D♯m6/A♭
F7♭13
F7♭13

Chord Diagrams — First Song in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯/A♭
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
Adim
7frEADGBExx12x3
EADGBEx132x
3frEADGBE31x42x
10frEADGBEx41x23
Bdim7
7frEADGBE111234
EADGBE11x234
EADGBExx1324
6frEADGBE3x142x
D♯m7/C
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
Adim7
7frEADGBE11x34
EADGBEx1324
4frEADGBE112x3x
5frEADGBE111234
A♯m7/B♭
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯/A
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
G♯7/F
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
F7sus4
8frEADGBE111134
EADGBE111134
6frEADGBE111234
10frEADGBE11xx34
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
C♯/B♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
D♯m6/A♭
7frEADGBExx2314
EADGBE111x32
4frEADGBE11x324
11frEADGBE111234
F7♭13
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
C♯6
9frEADGBE11x324
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x

Explore More

First Song in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A (ascending half step), A to B (ascending whole step), B to D# (ascending major third), D# to A (ascending tritone), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to F (ascending unison), F to C# (descending major third), C# to D# (ascending whole step), D# to F (ascending whole step), F to C# (descending major third), C# to C (descending half step), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 28 bars · Form: A

Chords: A♯m7, A♯7♭9, D♯m7, G♯/A♭, G♯, Adim, Bdim7, D♯m7/C, Adim7, A♯m7/B♭, D♯/A, G♯7/F, Cm7♭5, F7sus4, F7♭9, C♯/B♭, D♯m6/A♭, F7♭13, C♯6, C7, Bmaj7.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#