Do Re MiC D E

Favela

Jobim Antonio-Carlos4/4bossa-nova
C♯13
B13
C♯13
D13
C♯13
D13
C♯13
B13
A♯13
G♯13
A♯13
G♯13
A♯13
G♯13
A♯13♯9
%
G♯13
C♯13
B13
C♯13
D13
C♯13
D13
C♯13
B13
A♯13
G♯13
A♯13
G♯13
A♯13
G♯13
A♯13♯9
%
G♯13

Chord Diagrams — Favela in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯13
4frEADGBE111134
EADGBEx4231
7frEADGBE222341
9frEADGBE111234
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
A♯13♯9
A♯ - D - F - G♯ - B♯# - G
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
F♯m6
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7♯9
EADGBEx123x
6frEADGBE114432
7frEADGBExx2134
12frEADGBEx2134x

Explore More

Favela in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to B (descending whole step), B to D (ascending minor third), D to A# (descending major third), A# to G# (descending whole step), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to C# (descending half step), C# to G (ascending tritone), G to F# (descending half step), F# to A# (ascending major third), A# to F (descending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 50 bars · Form: ABCAB

Chords: C♯13, B13, D13, A♯13, G♯13, A♯13♯9, D♯m7, Dm7, C♯7, Gm7♭5, F♯m6, A♯m7, Fm7, A♯7♯9.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#