Ev'rything I Love in C#

Cole Porter(1941)swing
Do Re MiC D E
A
C♯aug7
G♯aug7
C♯/F
C♯aug7
C♯/G♯

Chord Diagrams — Ev'rything I Love in C# (Guitar)

Display
FingerNoteDegree
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C♯aug7
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯aug7
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
C♯/F
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
C♯aug
EADGBE11x234
4frEADGBE1111346frEADGBE11432x9frEADGBE11x423
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
C♯/G♯
4frEADGBE111234
EADGBE11x4326frEADGBE1113249frEADGBE111342
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342

Ev'rything I Love in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to C (ascending major third), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to C# (descending whole step), C# to A# (descending minor third), A# to G# (descending whole step), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: C♯Maj7, C♯aug7, F♯Maj7, Fm7, A♯7, D♯m7, G♯aug7, C♯6, C♯/F, C♯aug, F♯, F♯m7, B7, EMaj7, G♯7, C7, F, F7, A♯m7, G♯m7, C♯7, D♯7, C♯/G♯, A♯7♭9, G♯7♭9, C♯.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#