Do Re MiC D E

Don't Blame Me

Jimmy McHugh / Dorothy Fields(1933)2/2ballad

Chord Diagrams — Don't Blame Me in G (Guitar)

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Don't Blame Me in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to G (descending major third), G to E (descending minor third), E to D (descending whole step), D to A (descending perfect fourth), A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to B by major third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 26 bars · Form: AB

Chords: Bm7♭5, GMaj7, E7, D13, Am7♭5, Em7, D7, Daug7, Am7, G7, G6, C6, B7, Em, A7, D♯7, G.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G