Do Re MiC D E

Don't Know Why

Harris Jesse4/4ballad
F7sus4
D♯maj9
F7sus4
%
F7/E♭
A♯/D
F7/C
D♯maj9
F7sus4
D♯maj9
F7sus4
D♯maj9
F7sus4
D♯maj9
F7sus4
F7sus4
A♯7/F
F7sus4

Chord Diagrams — Don't Know Why in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
F7/E♭
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯/D
8frEADGBE11x243
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
F7/C
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯7/F
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x

Explore More

Don't Know Why in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 66 bars · Form: AABA

Chords: A♯maj7, A♯7, D♯maj9, D9, Gm7, C7, F7sus4, A♯, F7, F7/E♭, A♯/D, F7/C, A♯7/F.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#