Dolphin Dance in Re

Herbie Hancock(1965)swingMedium
A
B
C
D

Chord Diagrams — Dolphin Dance in Re (Guitar)

Dolphin Dance in Re

Dolphin Dance in D: Herbie Hancock's semi-modal gem balances tonal and modal thinking across its unpredictable harmonic landscape. Lydian brightens the major chords, Dorian colors the minor sections, and Bebop Major lines stitch it together. Chords: DMaj7 – CMaj7#11 – C#m7 – F#7 – BMaj7 – C#m7b5 – F#7b9 – Bm7 – Gm7 – C7 – FMaj7 – G#m7 – C#7 – F#Maj7 – Am7 – D7 – GMaj7 – G#m7b5 – C#7b9 – F#m7 – E7 – AMaj7 – A7.

Dolphin Dance in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G (descending major third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to A (ascending perfect fourth), A to A (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.