Desafinado in C#

A. C. Jobim()swing
Do Re MiC D E
A
B

Chord Diagrams — Desafinado in C# (Guitar)

Display
FingerNoteDegree
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
D♯7♭5
EADGBExx1234
4frEADGBExx24136frEADGBE111x2310frEADGBE2x341x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
F♯dim7
EADGBE112x3x
EADGBE1112344frEADGBExx13248frEADGBE111234
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Adim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324

Desafinado in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D# (ascending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to F# (ascending major third), F# to C (ascending tritone), C to F (ascending perfect fourth), F to F# (ascending half step), F# to G (ascending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to A (ascending half step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to F# (ascending major third), F# to B (ascending perfect fourth), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 60 bars · Form: AB

Chords: C♯Maj7, D♯7♭5, D♯m7, G♯7, Fm7♭5, A♯7♭9, F7♭9, A♯7, D♯7♭9, DMaj7, F♯m6, C7♯9, FMaj7, F♯dim7, Gm7, C7, Fm7, Gm7♭5, G♯Maj7, Adim7, A♯m7, D♯7, Ddim7, F♯m7, B7, C♯6.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#