Do Re MiC D E

De Lachende Dwerg

Misha Mengelberg2/2ballad
C♭7♯11
C♭7♯11
F♯/A
F6/A♭
D7/F
F6/A♭

Chord Diagrams — De Lachende Dwerg in F (Guitar)

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De Lachende Dwerg in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to Cb (descending major third), Cb to F# (ascending tritone), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to G (ascending tritone), G to G (ascending unison), G to F (descending whole step), F to D (descending minor third), D to C# (descending half step), C# to D (ascending half step), D to F# (ascending major third), F# to F (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 21 bars · Form: AB

Chords: Em7♭5, C♭7♯11, F♯/A, C♯9, C♯7, G7, G7♯11, F6/A♭, D7, C♯7♯11, D7/F, F♯7, FMaj7.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F