How to practice Darn That Dream with play-along tracks?

Use the play-along backing track above to practice Darn That Dream in the key of A. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over Darn That Dream?

For soloing over Darn That Dream, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed Darn That Dream?

Darn That Dream was composed by Jimmy Van Heusen / Eddie DeLange in 1939. It is a swing standard in 4/4 time. The original key is G; this page shows it transposed to A.

What key is Darn That Dream in?

The original key of Darn That Dream is G. The form is AB with 26 bars. This page shows the chart transposed to A.

What scales work for improvising over Darn That Dream?

Recommended scales for Darn That Dream in A: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

Darn That Dream in A

Jimmy Van Heusen / Eddie DeLange(1939)swing

Do Re MiC D E

BPM: 120

Chord Diagrams — Darn That Dream in A (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

F7/C

Bm/D

C13

FMaj7/A

Darn That Dream in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F (descending major third), F to B (ascending tritone), B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C# (ascending tritone), C# to C (descending half step), C to A# (descending whole step), A# to E (ascending tritone), E to A# (ascending tritone), A# to C (ascending whole step), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to A (ascending half step), A to A (ascending unison), A to A (ascending unison), A to F (descending major third), F to E (descending half step), E to F# (ascending whole step), F# to A (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to A by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 26 bars · Form: AB

Chords: AMaj7, F7/C, Bm7, C♯7♭5, C♯7, F♯m, Bm/D, C♯m7♭5, F♯7, G7, C♯m7, Cdim, A♯7, E7, A♯7♯9, C13, F, Dm, Gm7, C7, FMaj7/A, G♯m6, Am, AmMaj7, Am7, F9, E9, F♯m7, A6.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A