Bop-Be in E

Keith Jarrett(1978)swing
Do Re MiC D E
A
EMaj9
D♯m7♭5add9add11
G♯7♯5
E13♯9
AMaj9
F♯7♯5
EMaj9
D♯m7♭5add9add11
G♯7♯5
E13♯9
B13♯9
G♯madd2
A♯7♯5
B69/F♯
G♯13
F♯m11
D♯m7♭5add9add11
G♯7♯5
E13♯9
AMaj9
B13♭9
E69

Chord Diagrams — Bop-Be in E (Guitar)

Display
FingerNoteDegree
EMaj9
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
D♯m7♭5add9add11
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E13♯9
E - G♯ - B - D - G - C♯
AMaj9
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
D7♭9
2frEADGBExx431
4frEADGBE11x2345frEADGBE11x248frEADGBE3241xx
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B13♯9
B - D♯ - F♯ - A - D - G♯
E69
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯madd2
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
B69/F♯
8frEADGBE2222x1
EADGBE11x2346frEADGBE11123411frEADGBE11x432
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234

Bop-Be in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C# (descending minor third), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to A (descending whole step), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to G (ascending major third), G to B (ascending major third), B to E (ascending perfect fourth), E to F (ascending half step), F to B (ascending tritone), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 33 bars · Form: A

Chords: EMaj9, C♯m9, D♯m7♭5add9add11, G♯7♯5, C♯m7, C9, Bm7, E13♯9, AMaj9, Am9, D7♭9, GMaj7, F♯7♯5, B7♯9, AMaj7, D7, G♯m7, C♯7, F♯m7, B13♯9, E69, D♯7, G♯madd2, A♯7♯5, D♯7♯9, Gm7, B7♭9, EMaj7, Fdim, B69/F♯, G♯13, C♯7♯9, F♯7, F♯m11, B13♭9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E