Do Re MiC D E

Blood Count

Strayhorn Billy4/4ballad

Chord Diagrams — Blood Count in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C7♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
F7♯9
EADGBExx2134
EADGBE111324
7frEADGBEx2134x
10frEADGBE111x23
A♯7♯9♯11
A♯ - D - F - G♯ - B♯# - E
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Am♯5
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Am6
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
7frEADGBE111x32
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
Amaj7♯5
EADGBE11x32
EADGBE11x23
5frEADGBEx2341
9frEADGBE432
A6
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
Dm6
EADGBExx21
3frEADGBE11x324
5frEADGBEx13x24
9frEADGBE2x1333
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E7♯11
3frEADGBE3142
EADGBE12
6frEADGBE11x234
11frEADGBE111234
F7♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
F♯7♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
G7♯11
5frEADGBExx1234
EADGBE111234
9frEADGBE11x234
10frEADGBE111x23
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
C/A
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
B/A
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A♯/A
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
C/D
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
B/D
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A♯/D
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243

Explore More

Blood Count in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A (descending half step), A to A (ascending unison), A to A (ascending unison), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to F (ascending half step), F to F# (ascending half step), F# to G (ascending half step), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to C (descending major third), C to B (descending half step), B to A# (descending half step), A# to C (ascending whole step), C to B (descending half step), B to A# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to C by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 42 bars · Form: AABAC

Chords: C7♯11, F7♯9, A♯7♯9♯11, Fm7, A♯7, Am, Am♯5, Am6, Em7, A7, E7, Amaj7, Amaj7♯5, A6, Dmaj7, Dm6, Dm7, G7, Cmaj7, B7, E7♯11, F7♯11, F♯7♯11, G7♯11, C♯m7, F♯m7, E7sus4, C/A, B/A, A♯/A, C/D, B/D, A♯/D.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A