Do Re MiC D E

Better Than Anything

Loughborough-Wheat4/4waltz
A♯69
G♯69
A♯69
G♯69
A♯69
G♯69
D♯69
C♯69
D♯69
C♯69
A♯69
G♯69
A♯69
G♯69
A♯69
G♯69
A♯69
G♯69

Chord Diagrams — Better Than Anything in A# (Guitar)

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Better Than Anything in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to E (ascending minor third), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to C (descending half step), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 26 bars · Form: A

Chords: A♯69, G♯69, Gm7, F♯7, Fm7, A♯7♯9, D♯69, C♯69, E7♯11, D♯7, D7, C♯7, C7, Bmaj7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#